In 1964, John William Coltrane revealed to the world his concept of spirituality in the form of what would soon be a world-renowned and multi-award-winning suite, “A Love Supreme. ” Coltrane’s concept fused music and religion. It entailed the expression of music as a form of praise to God.
A Love Supreme | ||||
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Studio album by | ||||
Released | January 1965 | |||
Recorded | December 9, 1964 | |||
Studio | Van Gelder Studio, Englewood Cliffs | |||
Genre | ||||
Length | 33:02 | |||
Label | Impulse! | |||
Producer | Bob Thiele | |||
John Coltrane chronology | ||||
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A Love Supreme is an album by American jazz saxophonist John Coltrane. He recorded it in one session on December 9, 1964, at Van Gelder Studio in Englewood Cliffs, New Jersey, leading a quartet featuring pianist McCoy Tyner, bassist Jimmy Garrison, and drummer Elvin Jones.
A Love Supreme was released by Impulse! Records in January 1965. It was one of Coltrane's bestselling albums and one of his most critically acclaimed. Some critics consider it his masterpiece, as well as one of the greatest albums ever recorded.
- A Love Supreme has even spawned something of a religious sect. Reverend Franzo Wayne King is pastor of the Saint John Coltrane African Orthodox Church in San Francisco. The congregation mixes African Orthodox liturgy with Coltrane's quotes and a heavy dose of his music.
- As John Coltrane’s classic album “A Love Supreme” caressed the car’s interior it began to happen. It hit me in a gradual rush of uncontrollable expression I’ll never forget.
- 1965 studio album by John Coltrane. Jump to navigation Jump to search. 1965 studio album by John Coltrane. Language Label Description Also known as; English: A Love Supreme. 1965 studio album by John Coltrane. ALS; Statements. Studio album. 0 references. A Love Supreme (English) 0 references.
- Since I was on this kick already, I grabbed a Coltrane biography, (John Coltrane, His Life and Music by Lewis Porter) and really enjoyed it. 2007 John rated it really liked it. “A Love Supreme' is Coltrane's best-known and best-selling album.
- Compiled some fi fty years after the late, great John Coltrane’s seminal album of the same title, the collection is awash with the politics, passion, lives, loves and lusts of a seasoned spoken word veteran.
- 4Track listing
- 5Personnel
Composition[edit]
Elvin Jones (pictured in 1976)
A Love Supreme is a suite with four parts: 'Acknowledgement' (which includes the oral chant that gives the album its name), 'Resolution', 'Pursuance', and 'Psalm'. Coltrane plays tenor saxophone on all parts. One critic has written that the album was intended to represent a struggle for purity, an expression of gratitude, and an acknowledgement that the musician's talent comes from a higher power.[1]Coltrane's home in Dix Hills, Long Island, may have inspired the album.[1] Another influence may have been Ahmadiyya Islam.[2]
The album begins with the bang of a gong (tam-tam) and cymbal washes. Jimmy Garrison enters on double bass with the four-note motif that lays the foundation of the movement. Coltrane begins a solo. He plays variations on the motif until he repeats the four notes thirty-six times. The motif then becomes the titular vocal chant 'A Love Supreme', sung by Coltrane accompanying himself through overdubs nineteen times.[3] Near the end of the song, the piano stops playing first, and after a few measures, the drums and cymbals stop playing also. Garrison plays the four notes several times before playing the descending notes. Then he plays the ending riff that leads to the second part of the suite.
In the fourth and final movement, 'Psalm', Coltrane performs what he calls a 'musical narration'. Lewis Porter calls it a 'wordless recitation'.[4] The devotional is included in the liner notes. Coltrane 'plays' the words of the poem on saxophone but doesn't speak them. Some scholars have suggested that this performance is an homage to the sermons of African-American preachers.[5] The poem (and, in his own way, Coltrane's solo) ends with the cry, 'Elation. Elegance. Exaltation. All from God. Thank you God. Amen.'[6]
A Love Supreme was categorized by Rockdelux as modal jazz, avant-garde jazz, free jazz, hard bop, and post-bop.[7]
Other performances[edit]
An alternative version of 'Acknowledgement' was recorded the next day on December 10 with tenor saxophonist Archie Shepp and bassist Art Davis. This version omitted Coltrane chanting 'a love supreme'; he preferred the quartet version with the chant, placing that on the issued album. The only live recording of the 'Love Supreme' suite is from a performance at the Festival Mondial du Jazz Antibes in Juan-les-Pins, France, on July 26, 1965. On October 29, 2002, the album was reissued as a remastered deluxe edition by Impulse! Records with this live performance and the alternate takes on a bonus disc.[8] A further iteration with yet more studio breakdowns and overdubs was issued as a three-disc complete masters edition released by Impulse! on November 20, 2015.[9]
John McLaughlin and Carlos Santana began their 1973 album Love Devotion Surrender with a cover version of 'Acknowledgment' under the title 'A Love Supreme'.
Reception and legacy[edit]
Professional ratings | |
---|---|
Review scores | |
Source | Rating |
All About Jazz | [10] |
AllMusic | [11] |
Down Beat | [12] |
Encyclopedia of Popular Music | [13] |
MusicHound Jazz | 5/5[14] |
The Penguin Guide to Jazz | [15] |
PopMatters | 10/10[16] |
Q | [17] |
The Rolling Stone Album Guide | [18] |
Rolling Stone Jazz Record Guide | [19] |
Released in January 1965 by Impulse! Records,[20]A Love Supreme became one of the most acclaimed jazz records,[21] and contemporary critics hailed it as one of the important albums of post-war jazz.[22] It has since been regarded as Coltrane's masterpiece,[23] and by 1970 it had sold about 500,000 copies, far exceeding Coltrane's usual sales of 30,000.[24]
A Love Supreme was widely recognized as a work of deep spirituality and analyzed with religious subtext, although cultural studies scholars Richard W. Santana and Gregory Erickson argued that the 'avant-garde jazz suite' could be interpreted otherwise.[25] According to music professor Ingrid Monson of Harvard University, the album was an exemplary recording of modal jazz.[26] Nick Dedina wrote on the Rhapsody web site that the music ranged from free jazz and hard bop to sui generis gospel music in 'an epic aural poem to man's place in God's plan'.[27]Rolling Stone called it a 'legendary album-long hymn of praise' and stated, 'the indelible four-note theme of the first movement, 'Acknowledgement,' is the humble foundation of the suite. But Coltrane's majestic, often violent blowing (famously described as 'sheets of sound') is never self-aggrandizing. Aloft with his classic quartet..Coltrane soars with nothing but gratitude and joy. You can't help but go with him.'[28] In the Guinness Book of Top 1000 Albums, Colin Larkin called the album 'one of the most profoundly moving records in all of jazz'.[29]
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According to Acclaimed Music, A Love Supreme is the 61st most frequently ranked record on critics' favorite lists.[30] In 2003, it was ranked number 47 on Rolling Stone's list of the 500 greatest albums of all time;[28]NME ranked it number 188 on a similar list ten years later.[31] The manuscript for the album was included in the National Museum of American History's 'Treasures of American History' collection at the Smithsonian Institution.[32] In 2016, the album was selected for preservation in the National Recording Registry due to its 'cultural, historic, or artistic significance.'[33] It is Coltrane's second album to be included after Giant Steps in 2005.[34] It was included in Robert Dimery's 1001 Albums You Must Hear Before You Die.[35]
Love Supreme Lyrics John Coltrane
According to Joachim-Ernst Berendt, the album's hymn-like quality permeated modern jazz and rock music.[36] Musicians such as Joshua Redman[37] and U2,[38] who mention the album in their song 'Angel of Harlem',[39] have mentioned the influence of the album on their own work. Guitarists John McLaughlin and Carlos Santana called the album one of their biggest early influences and recorded Love Devotion Surrender in 1973 as a tribute.[40] 'Every so often this ceases to be a jazz record and is more avant-garde contemporary classical,' said Neil Hannon of the band The Divine Comedy. 'I love the combination of abstract piano that's all sort of 'clang', and weird chords with wailing saxophone over the top.'[41]
In The Penguin Guide to Jazz, Richard Cook and Brian Morton gave A Love Supreme a rare 'crown' rating but asked whether it was 'the greatest jazz album of the modern period.or the most overrated?' Miles Davis, Coltrane's former bandleader, said the record 'reached out and influenced those people who were into peace. Hippies and people like that'. Jazz critic Martin Gayford later elucidated Davis' comments: If a listener is 'in the mood', he wrote, 'it's majestic and compelling; if you're not, it's interminable and pretentious.' In Gayford's own appraisal for The Daily Telegraph, he argued that it 'marked the point at which jazz—for good or ill—ceased for a while to be hip and cool, becoming instead mystical and messianic'.[23]
Track listing[edit]
All tracks composed by John Coltrane and published by Jowcol Music (BMI)
Original LP[edit]
- Side one
No. | Recorded | Take number | Title | Length |
---|---|---|---|---|
1. | December 9, 1964 | 90243 | Part 1: 'Acknowledgement' | 7:47 |
2. | December 9, 1964 | 90244‒7 | Part 2: 'Resolution' | 7:22 |
- Side two
No. | Recorded | Take number | Title | Length |
---|---|---|---|---|
1. | December 9, 1964 | 90245‒1 | Part 3: 'Pursuance'/Part 4: 'Psalm' | 17:53 |
2002 deluxe edition[edit]
- Disc one
No. | Recorded | Take number | Title | Length |
---|---|---|---|---|
1. | December 9, 1964 | 90243 | Part 1: 'Acknowledgement' | 7:43 |
2. | December 9, 1964 | 90244‒7 | Part 2: 'Resolution' | 7:20 |
3. | December 9, 1964 | 90245‒1 | Part 3: 'Pursuance' | 10:42 |
4. | December 9, 1964 | 90245‒1 | Part 4: 'Psalm' | 7:05 |
- Disc two
No. | Recorded | Take number | Title | Length |
---|---|---|---|---|
1. | July 26, 1965 | n/a | Introduction by André Francis | 1:13 |
2. | July 26, 1965 | n/a | 'Acknowledgement' (Live) | 6:11 |
3. | July 26, 1965 | n/a | 'Resolution' (Live) | 11:36 |
4. | July 26, 1965 | n/a | 'Pursuance' (Live) | 21:30 |
5. | July 26, 1965 | n/a | 'Psalm' (Live) | 8:49 |
6. | December 9, 1964 | 90244‒4 | 'Resolution' (Alternate take) | 7:25 |
7. | December 9, 1964 | 90244‒6 | 'Resolution' (Breakdown) | 2:13 |
8. | December 10, 1964 | 90246‒1 | 'Acknowledgement' (Alternate take) | 9:09 |
9. | December 10, 1964 | 90246‒2 | 'Acknowledgement' (Alternate take) | 9:22 |
The Complete Masters (2015)[edit]
- Disc 1 – The Original Stereo Album, Impulse! AS-77
- 'Acknowledgement' – 7:42
- 'Resolution' – 7:20
- 'Pursuance' – 10:41
- 'Psalm' – 7:05
- – Original Mono Reference Masters
- 'Pursuance' – 10:42
- 'Psalm' – 7:02
- Disc 2 – Quartet Session, December 9, 1964
- 'Acknowledgement' (vocal overdub 2) – 2:00
- 'Acknowledgement' (vocal overdub 3) – 2:05
- 'Resolution' (take 4/ alternate) – 7:25
- 'Resolution' (take 6/ breakdown) – 2:13
- 'Psalm' (undubbed version) – 6:59
- – Sextet Session, December 10, 1964
- 'Acknowledgement' (Take 1 / alternate) – 9:24
- 'Acknowledgement' (Take 2 / alternate) – 9:47
- 'Acknowledgement' (Take 3 / breakdown with studio dialogue) – 1:26
- 'Acknowledgement' (Take 4 / alternate) – 9:04
- 'Acknowledgement' (Take 5 / false start) – 0:34
- 'Acknowledgement' (Take 6 / alternate) – 12:33
- Disc 3 – Live at Festival Mondial du Jazz Antibes, July 26, 1965
- Introduction by André Francis and John Coltrane – 1:13
- 'Acknowledgement (Live)' – 6:12
- 'Resolution (Live)' – 11:37
- 'Pursuance (Live)' – 21:30
- 'Psalm (Live)' – 8:49
Disc 3 is included only with the 'Super Deluxe Edition' version of this release.
Personnel[edit]
McCoy Tyner played piano throughout both sessions for A Love Supreme
The John Coltrane Quartet[edit]
- John Coltrane – bandleader, liner notes, vocals, tenor saxophone, soprano saxophone[42]
- Jimmy Garrison – double bass
- Elvin Jones – drums, gong, timpani
- McCoy Tyner – piano
Additional personnel[edit]
- Archie Shepp – tenor saxophone on alternate takes of 'Acknowledgement'
- Art Davis – double bass on alternate takes of 'Acknowledgement'
- Rudy Van Gelder – engineering and mastering
- Bob Thiele – production and cover photo[43]
- George Gray/Viceroy – cover design
- Victor Kalin – illustration
- Joe Lebow – liner design
Reissues[edit]
- Erick Labson – digital remastering (CD reissue)
- Kevin Reeves – mastering (SACD)
- Michael Cuscuna – liner notes, production, and remastering (deluxe edition)
- Joe Alper – photography (CD reissue)
- Jason Claiborne – graphics (CD reissue)
- Hollis King – art direction (CD reissue)
- Lee Tanner – photography (CD reissue)
- Ken Druker – production (deluxe edition)
- Esmond Edwards – photography (deluxe edition)
- Ashley Kahn – liner notes and production (deluxe edition)
- Peter Keepnews – notes editing (deluxe edition)
- Hollis King – art direction (deluxe edition)
- Bryan Koniarz – production (deluxe edition)
- Edward O'Dowd – design (deluxe edition)
- Mark Smith – production assistance (deluxe edition)
- Sherniece Smith – art coordination and production (deluxe edition)
- Chuck Stewart – photography (deluxe edition)
- Bill Levenson – reissue supervisor (SACD)
- Cameron Mizell – production coordination (SACD)
- Ron Warwell – design (SACD)
- Isabelle Wong – package design (SACD)
Certifications[edit]
Region | Certification | Certified units/sales |
---|---|---|
Italy (FIMI)[44] | Gold | 50,000* |
United Kingdom (BPI)[45] | Gold | 100,000^ |
United States (RIAA)[46] | Gold | 500,000^ |
*sales figures based on certification alone ^shipments figures based on certification alone |
See also[edit]
- 'Angel of Harlem' – a 1989 U2 song referencing the album
- A Love Surreal – an album by Bilal
- Blue World, an album recorded between Crescent and A Love Supreme released in 2019
References[edit]
- ^ abKahn 2002
- ^Hammer, Juliane; Safi, Omid (August 12, 2013). The Cambridge Companion to American Islam. Cambridge University Press. pp. 285–. ISBN978-1-107-00241-8. Retrieved December 15, 2014.
- ^Porter, 231–249.
- ^Porter, 244.
- ^Porter, 246–247.
- ^Porter, 248.
- ^Casas, Quim (December 23, 2015). 'A Love Supreme'. Rockdelux (in Spanish). Retrieved August 3, 2018.
- ^A Love Supreme Deluxe Edition. 1997; Impulse! Records 314 589 945-2, back cover notes.
- ^Porter, 249.
- ^Spencer, Robert (1997). 'John Coltrane: A Love Supreme'. All About Jazz. Retrieved July 2, 2016.
- ^Samuelson, Sam. 'A Love Supreme Overview'. AllMusic. Retrieved October 17, 2009.
- ^Janowiak, John (April 8, 1965). 'A Love Supreme'. Down Beat.
- ^Larkin, Colin (2011). 'John Coltrane'. Encyclopedia of Popular Music (5th ed.). Omnibus Press. ISBN978-0-85712-595-8.
- ^Holtje, Steve; Lee, Nancy Ann, eds. (1998). 'John Coltrane'. MusicHound Jazz: The Essential Album Guide. Music Sales Corporation. ISBN0-8256-7253-8.
- ^Cook, Richard; Morton, Brian (1992). The Penguin Guide to Jazz on CD, LP and Cassette. Penguin Books. p. 225. ISBN0-14-015364-0.
- ^Fiander, Matthew (2015). 'John Coltrane: A Love Supreme (The Complete Masters)'. PopMatters. Retrieved July 2, 2016.
- ^'A Love Supreme'. Q. October 1995. p. 136.
- ^Wolk, Douglas, 'John Coltrane' in Hoard, Christian and Nathan Brackett, eds (2004). The Rolling Stone Album Guide, Fireside Books, pp. 182–185.
- ^Swenson, J., ed. (1985). The Rolling Stone Jazz Record Guide. USA: Random House/Rolling Stone. p. 47. ISBN0-394-72643-X.
- ^Anon. (2007). 'A Love Supreme'. In Irvin, Jim; McLear, Colin (eds.). The Mojo Collection (4th ed.). Canongate Books. p. 48. ISBN978-1-84767-643-6.
- ^Cook, Richard; Brian Morton (2006) [1992]. 'John Coltrane'. The Penguin Guide to Jazz Recordings. The Penguin Guide to Jazz (8th. ed.). New York: Penguin. pp. 273–4. ISBN0-14-102327-9.
- ^Anon. (1982). 'John Coltrane'. Black Music & Jazz Review. Vol. 5. p. 25.
- ^ abGayford, Martin (November 9, 2002). 'Sublime - if you're in the mood'. The Daily Telegraph. Retrieved July 2, 2016.
- ^Porter, 232.
- ^Santana, Richard W.; Erickson, Gregory (2008). Religion and Popular Culture: Rescripting the Sacred. McFarland & Company. pp. 78–81. ISBN978-0786435531.
- ^Monson, Ingrid (2008). 'Jazz: From Birth to the 1970s'. In Koskoff, Ellen (ed.). The Concise Garland Encyclopedia of World Music. Routledge. p. 359. ISBN978-0415994033.
- ^'A Love Supreme (Bonus Tracks) by John Coltrane'. Rhapsody. Retrieved July 2, 2016.
- ^ abStaff. RS 500: 47) A Love Supreme. Rolling Stone. Retrieved October 5, 2010.
- ^Larkin, Colin (1994). Guinness Book of Top 1000 Albums (1 ed.). Gullane Children's Books. p. 92. ISBN978-0-85112-786-6.
- ^'John Coltrane'. Acclaimed Music. Retrieved July 2, 2016.
- ^Kaye, Ben (October 25, 2013). 'The Top 500 Albums of All Time, according to NME'. Consequence of Sound. Retrieved July 2, 2016.
- ^'A Love Supreme'. National Museum of American History, Smithsonian Institution. Retrieved May 28, 2008.
- ^'National Recording Registry Recognizes 'Mack the Knife,' Motown and Mahler'. Library of Congress. March 23, 2016. Retrieved February 18, 2017.
- ^Law, Janee (March 31, 2016). 'John Coltrane's A Love Supreme, Composed in Dix Hills, Added to National Registry'. Long Islander News.
- ^Dimery, Robert, ed. (2010). 1001 albums you must hear before you die (Rev. and updated ed.). New York, New York: Universe. ISBN978-0-7893-2074-2.
- ^Berendt, Joachim-Ernst (2009). The Jazz Book: From Ragtime to the 21st Century. Chicago Review Press. p. 152. ISBN978-1613746042.
- ^'The A Love Supreme Interviews' (Joshua Redman discusses John Coltrane's 'A Love Supreme'), on Jerry Jazz MusicianArchived January 6, 2009, at the Wayback Machine
- ^Palmer, Robert, 'A Tribute to John Coltrane's Spirit', The New York Times, September 25, 1987.
- ^Kahn, xxii.
- ^Stump, Paul (2000). Go Ahead John: The Music of John McLaughlin. SAF. p. 65. ISBN9780946719242.
- ^Thornton, Anthony (November 1998). 'Neil Hannon's Record Collection'. Q (146): 67.
- ^'Saint John Coltrane: Fifty Years of 'A Love Supreme''. religiondispatches.org. December 8, 2014. Retrieved February 18, 2017.
- ^Jarenwattananon, Patrick (March 28, 2014). 'A Love Supreme Comes Alive in Unearthed Photos'. NPR.
- ^'Italian album certifications – John Coltrane – A Love Supreme' (in Italian). Federazione Industria Musicale Italiana. Retrieved December 10, 2018. Select '2017' in the 'Anno' drop-down menu. Select 'A Love Supreme' in the 'Filtra' field. Select 'Album e Compilation' under 'Sezione'.
- ^'British album certifications – John Coltrane – A Love Supreme'. British Phonographic Industry.Select albums in the Format field.Select Gold in the Certification field.Type A Love Supreme in the 'Search BPI Awards' field and then press Enter.
- ^'American album certifications – John Coltrane – A Love Supreme'. Recording Industry Association of America.If necessary, click Advanced, then click Format, then select Album, then click SEARCH.
Bibliography[edit]
- Kahn, Ashley (2003). A Love Supreme: The Story of John Coltrane's Signature Album. Elvin Jones. Penguin Books. ISBN0-14-200352-2.
- Porter, Lewis (1999). John Coltrane: His Life and Music. University of Michigan Press. ISBN0-472-08643-X.
- Porter, Lewis (1985). 'John Coltrane's A Love Supreme: Jazz Improvisation as Composition'. Journal of the American Musicological Society. University of California Press. 38 (3): 593–621. doi:10.1525/jams.1985.38.3.03a00060.
Further reading[edit]
- Whyton, Tony (2013) Beyond A Love Supreme: John Coltrane and the Legacy of an Album. Oxford University Press. ISBN0199733236
External links[edit]
- A Love Supreme at Discogs (list of releases)
- A Love Supreme – a list of accolades at Acclaimed Music
- Wikilivres has original media or text related to this article: A Love Supreme (in the public domain in New Zealand)
Retrieved from 'https://en.wikipedia.org/w/index.php?title=A_Love_Supreme&oldid=912988792'
A Love Supreme is the 34th album by legendary jazz saxophonist John Coltrane, his ninth under Impulse! Records, released January 1965. It was recorded in the space of one day, on December 9th 1964, at Van Gelder Studio in New Jersey.
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The album was performed by Coltrane himself and his quartet with McCoy Tyner, Jimmy Garrison and Elvin Jones. He was largely influenced by a religious experience he had eight years prior that helped him overcome his heroin addiction. Coltrane explained further in A Love Supreme’s liner notes:
In the year of 1957, I experienced, by the grace of God, a spiritual awakening, which was to lead me to a richer, fuller, more productive life.*
As time and events moved on, I entered into a phase which is contradictory to the pledge and away from the esteemed path. But thankfully now, through the merciful hand of God, I do perceive and have been fully reinformed of his omnipotence. It is truly a love supreme.
*Coltrane’s first solo album (eponymous) was released later that year: supposedly the epiphany was a calling to make music.
A Love Supreme is considered one of the greatest jazz albums of all time, calling it Coltrane’s “masterpiece” becoming a trope among critics, for its spiritual undertone. It was ranked #49 on Rolling Stone’s 500 Greatest Albums of All Time, and a retrospective rating of 10/10 from Pitchfork. In 2016 it was added to the Library of Congress, and has also become one the highest selling jazz albums with around 500,000 sales. For Oxford University Press, Jason Bivins wrote:
A Love Supreme represents the crowning achievement in Coltrane’s self-discovery, a sonic offering to the One. His music moved beyond elongated modalism into an exultant, shouting sound that found Coltrane moving outwards into an area defined by its own motivic urgency and propulsion.
Just as Coltrane’s music gave us new ways of hearing possibility in that dusty singularity, jazz, so does A Love Supreme give us keys and cues for understanding beyond its own particulars — the ways jazz has improvised on that other moldy singularity, religion.